Francisco Goya (Sp., 1746-1828), "Por Temor..." First Image

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Francisco Goya (Sp., 1746-1828), "Por Temor..." First Image

Francisco Goya (Sp., 1746-1828), "Por Temor..."

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Francisco Goya (Sp., 1746-1828), "Por Temor..." (1 of 2)

Francisco Goya (Sp., 1746-1828), "Por Temor..."Francisco Goya (Sp., 1746-1828), "Por Temor..."etching and burnished aquatint on wove paper, Plate 2 from the 18-piece "Los Proverbios" series, from the first edition of 300 published by Laurenciano P

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Francisco Goya etching (1 of 4)

Francisco Goya etching Francisco Goya (Spanish 1746-1828)- ''Por Temor No Pierdas Honor'' (Harris 249)- etching, aquatint and drypoint, plate 2 from :Los Proverbios'', posthumous printing, left margin has been replaced, sta

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Francisco Goya y Lucientes (1 of 1)

Francisco Goya y Lucientes Francisco Goya y Lucientes (1746 - 1828), Por temor no pierdas honor (Disparate de miedo). 1815. Acquaforte, acquatinta e puntasecca. mm 246x353. Foglio: mm 341x490. Delteil, 203. Harris, 249. Seconda

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Francisco Jose de Goya etching and aquatint (1 of 3)

Francisco Jose de Goya etching and aquatint Francisco Jose de Goya (Spanish 1746-1828)- ''Por Temor No Pierdas Honor'' (Delteil 203) (Harris 249 iii/III)- etching and aquatint, Proverbios, pl. 2, vertical crease down middle from being folded. 9

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FRANCISCO GOYA (SPAIN 1746-1828) AQUATINT ETCHING (1 of 2)

FRANCISCO GOYA (SPAIN 1746-1828) AQUATINT ETCHING Francisco Jose De Goya Y Lucientes (SPANISH / FRANCE, 1746 - 1828) "Los Proverbios" aquatint etching titled "Por temor no pierdas honor (Do Not Lose Honour Through Fear)" also known as "Disparate de m

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Goya, ¿Por qué esconderlos? (1 of 3)

Goya, ¿Por qué esconderlos?FRANCISCO GOYA (1746-1828) ¿Por qué esconderlos? («Why to hide them»?») Aquatint, Serie: Los Caprichos (fifth edition), no. 30, 8,6x6 inches (218x153 mm) A miser but very respectable clergyman, h

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Francisco de Goya 1746 _ 1828 Por Que Engraving (1 of 7)

Francisco de Goya 1746 _ 1828 Por Que Engraving Francisco de Goya 1746 _ 1828 Por Que Engraving. Professionally framed and matted period engraving by Francisco de Goya. Shown in the artist's catalogue raisonne. Measures 10.5 x 12 inches. This work

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Francisco Goya, Por que?, circa 1810-1820 (1 of 2)

Francisco Goya, Por que?, circa 1810-1820 Francisco Goya (Spanish, 1746-1828) Por que?, circa 1810-1820, from Disasters of War, published in 1893 etching inscribed in plate lower center Por que?, upper-left corner 52 and lower-left corner 49<

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Aquatint after Goya. Yiele quema la Casa. (1 of 2)

Aquatint after Goya. Yiele quema la Casa.Francisco de Goya (Sp., 1746-1828), after. Yiele quema la Casa. Aquatint in sepia on wove paper. Plate 18 from the series"Los Caprichos." Image: 6 3/4" x 4 5/8". Sheet: x 12 1/4" x 9 1/4".

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Francisco de Goya (1746-1828) Por que fue sensible (1 of 1)

Francisco de Goya (1746-1828) Por que fue sensible Francisco de Goya (1746-1828) Por que fue sensible, pl.32 (from Los Caprichos),monochrome etching with aquatint, [c.1794-1798 but later], [D.69], 215 x 150mm. (8 1/2 x 6 in), unframed.

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Francisco de Goya (1746-1828): Per temor no pierdas (1 of 3)

Francisco de Goya (1746-1828): Per temor no pierdas Francisco de Goya (1746-1828): Per temor no pierdas honor Etching and aquatint on wove paper, c. 1816-1819, published in 1864. 13 x 18 in. (sheet), 16 1/2 x 20 1/2 in. (frame). Literature: Delteil 2

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Francisco de Goya, (Spanish, 1746-1828), Por Que? (1 of 1)

Francisco de Goya, (Spanish, 1746-1828), Por Que?Francisco de Goya (Spanish, 1746-1828) Por Que? etching 6 x 7 3/4 inches.

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Francisco Goya, ''Que alboroto es este?'' (1 of 1)

Francisco Goya, ''Que alboroto es este?''Goya, Francisco (Sp., 1746-1828) (after). Que alboroto es este? Image (possibly a mezzotint or aquatint), showing a man and woman covering their heads as two dogs approach. Presumed later strike or la

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After: Francisco Goya, Spanish (1746 - 1828) (1 of 7)

After: Francisco Goya, Spanish (1746 - 1828)After: Francisco Goya, Spanish (1746 - 1828) Drypoint Etching "Por Una Navaja", Plate number 34. Sight measures 6-1/2" H x 8-1/2" W, frame measures 18" H x 14-1/2" W.

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F. de Goya: 2 etchings. LOS DESASTRES DE LA GUELLA (1 of 2)

F. de Goya: 2 etchings. LOS DESASTRES DE LA GUELLA Goya, Francisco de (Sp. 1746-1828). 2 etchings with aquatint or lavis (use of both drypoint and burin), laid paper without watermark. Both from ''Los Desastres de la Guella.'' Plate numbers in margin

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Goya, Francisco de. Etching & Aquatint. c.1799. (1 of 1)

Goya, Francisco de. Etching & Aquatint. c.1799.Goya, Francisco de (Sp. 1746-1828). Qual LA Descanonan! Ca.1799. Etching and aquatint on laid paper. 8 1/2 x 5 3/4. Fine condition. Plate 21 from Los Caprichos, 5th edition. Delteil 58. Harris 56. Thi

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Goya. De que sirve una taza? Etching. (1 of 1)

Goya. De que sirve una taza? Etching.Goya, Francisco de (Sp. 1746-1828). De que sirve una taza? (What good is a single cup?), Pl. 59, from Los Desastres de la Guerra. 1892. 2nd edition. Etching, aquatint and lavis. On medium laid paper w

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Goya, Francisco de. Y esto tabien. Etching. (1 of 1)

Goya, Francisco de. Y esto tabien. Etching.Goya, Francisco de (Sp. 1746-1828). Y esto tabien (And This Too), Pl. 45, from Los Desastres de la Guerra. Etching, aquatint or lavis, drypoint and burin. On medium laid paper without a watermark. 4th

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Goya, Francisco de. Alla va eso. Etching. (1 of 1)

Goya, Francisco de. Alla va eso. Etching.Goya, Francisco de (Sp. 1746-1828). Alla va eso (There It Goes), Pl. 66, from Los Caprichos. 1908-1912. Etching, aquatint, and drypoint. On thick wove paper without a watermark. 9th edition. Plate siz

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Goya. Si resucitara? Etching. (1 of 1)

Goya. Si resucitara? Etching.Goya, Francisco de (Sp. 1746-1828). Si resucitara? (Will She Live Again?), Pl. 80, from Los Desastres de la Guerra. Etching, aquatint or lavis, drypoint and burin. On medium laid paper without a water

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Goya, Francisco de. Escapan entre las llamas. (1 of 1)

Goya, Francisco de. Escapan entre las llamas.Goya, Francisco de (Sp. 1746-1828). Escapan entre las llamas (They Escape Through Flames), Pl. 41, from Los Desastres de la Guerra. Etching, aquatint or lavis, drypoint and burin. On medium laid paper

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Goya. Murio la Verdad. Etching. (1 of 1)

Goya. Murio la Verdad. Etching.Goya, Francisco de (Sp. 1746-1828). Murio la Verdad (Truth Has Died), Pl. 79, from Los Desastres de la Guerra. Etching, aquatint or lavis, drypoint and burin. On medium laid paper without a watermark.

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After: Francisco Goya, Spanish (1746 - 1828) (1 of 7)

After: Francisco Goya, Spanish (1746 - 1828)After: Francisco Goya, Spanish (1746 - 1828) Drypoint Etching "Por Una Navaja", Plate number 34. Sight measures 6-1/2" H x 8-1/2" W, frame measures 18" H x 14-1/2" W. Condition: Toning and spotting ot

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Goya. De que sirve una taza? Etching. (1 of 1)

Goya. De que sirve una taza? Etching.Goya, Francisco de (Sp. 1746-1828). No llegan a tiempo (They do not arrive on time). Pl. 52, from Los Desastres de la Guerra. 1892. 2nd edition. Etching and drypoint. On medium laid paper without a wa

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